HYPNOTIZE BIGGIE MEDLEY CRACK

“Victory” was a stark contrast to No Way Out’s prior jiggy-era singles, centering around the grave brass of Bill Conti’s “Going the Distance” from the Rocky series. and Busta Rhymes (1998)Īrriving a year after he died, “Victory” finds the Black Frank White returning as a grim apparition. After Biggie’s death the following year, “Brooklyn’s Finest” came to represent a passing of the baton.ġ7.

HYPNOTIZE BIGGIE MEDLEY CRACK

“Brooklyn’s Finest” became a stunning back-and-forth that found a young and hungry Jigga matching wits with Brooklyn’s champion, who still could crack a smile despite being locked in a war (“If Fay’ had twins, she’d probably have two Pacs/ Get it?”). He ain’t gotta do his verses over.’”īiggie found out DJ Clark Kent wasn’t bluffing. “I’m warning like, ‘My guy is coming… He don’t write rhymes,’” “Brooklyn’s Finest” producer DJ Clark Kent told SPIN in 2016.

are now recognized as New York hip-hop’s biggest towers, but the latter was skeptical of the future king at first. Blige for supporting vocals, as well as Faith Evans, whose yearning performance on the hook became the perfect foil for her husband’s lounging presence.ġ8. Smith told REVOLT in 2017 that he originally chopped up the Ohio band Faze-O’s “ Riding High,” but not quite satisfied, he switched it up for the instantly recognizable sampling of DeBarge’s “Stay With Me.” Diddy wisely corralled Mary J. Still, Diddy saw something radio-worthy in it - and in one of his frantic strokes of genius, called up producer Rashad Smith to chop up a sample for the remix. Preceded by the pornographic “Fuck Me (Interlude)” skit, this edition is a cartoonishly obscene sex rap rivaled only by the 2 Live Crew. The original “One More Chance” is the reason you can’t really play Ready to Die straight through in public. The details stick in your mind like modern folklore: Pop from the barbershop informs Biggie that foes are planning to rob him our hero gets pissed (“Damn, n-as wanna stick me for my paper,” Biggie repeats four straight times in disbelief), spends a few bars musing about all the means he has to vanquish these villains, before finally doing away with them in a borderline slapstick manner (“You got a red dot on your head too!”). Ready to Die’s hook-less recounting of a foiled robbery works because of the conversational way it unfolds. With this, the escapism of Ready to Die’s highs feel necessary. “Damn, what happened to the summertime cookouts/ Every time I turn around a n-a getting took out/ Shit, my Momma got cancer in her breast/ Don’t ask me why I’m motherfucking stressed,” raps Biggie in the closing bars. “Things Done Changed,” Ready to Die’s first song, explicitly lends Biggie’s debut this context. The good times of “Rapper’s Delight” and peace-keeping block parties were gone from the late ‘80s onward, we’d become familiar with the trauma of the Reagan era’s survivors. Ready to Die was another example of a cultural sea change in hip-hop. “Only You (Remix)” was also significant for introducing many to Bad Boy labelmate Mase, who’d go on to run this honeyed lane with his own brand of charisma on his 1997 multi-platinum debut, Harlem World. A key example was Atlanta R&B quartet 112’s Top 20 hit “Only You.” The Notorious B.I.G., already with “Can’t You See” under his belt, was still in his mellifluous pocket, slipping in a Tony! Toni! Toné! reference before ceding the floor. One of the biggest innovations of Bad Boy - a label whose ‘90s hits have aged better than songs decades their junior - was how its biggest hits presented R&B and rap as two naturally complementing flavors. The resulting shock raps were too much: The lines “I wouldn’t give a fuck if you’re pregnant” and “Bitches get strangled for their earrings and bangles” were even censored on Ready to Die’s Parental Advisory version.Ģ3. effortlessly giving his two characters definition: The older robber is the kind of guy who sees murder as an inconvenience (“Don’t be a jerk and get smoked over being resistant”), while his helium-voice partner takes joy in crime the same way a child might beg for a Sega Genesis (“Oooooooo, Biggie let me jack her!”). The Ready to Die fan favorite finds B.I.G. “Gimme the Loot” stands out because it’s one of the more animated examples of Biggie’s signature knack for vivid details.

Hypnotize biggie medley